Showing posts with label Tamanna. Show all posts
Showing posts with label Tamanna. Show all posts

Thursday, April 4, 2013

Himmat Wala - A Tribute To Amitabh and Not To Jetendra


Before reviewing the new Himmatwala, allow me to introduce you with some facts related to 1983’s Himmatwala. K. Raghavendra Rao’s Himmatwala (1983) was an experimental film, in which he signed a sinking mega-star of early 1980’s Jetendra, whose movies were drowning deeply at the box office back in those days. Similarly, Sridevi was signed because of limited budget as she was planning to leave the industry because of constant flops. On the contrary, Kader Khan, who used to play negative roles, was also not getting any movies. The concept of remakes of south Indian movies was also fresh at that period of time. So, all in all, it was their hard work and commendable script with astounding performances which made Himmatwala a fare that not only started the team (Jetendra, Sridevi, Kader Khan, Amjad Khan, Shakti Kapoor and Asrani) to launch numerous block-busters but also gave a reason to copy it even after 3 decades.

Sajid Khan’s Himmatwala is a literal copy of the original Himmatwala. Although, he has mentioned at many platforms that his movie has a few elements of the original one but if you see the original movie, dialogues, character names, scenes and at places background score have also copied from it. There are minor amendments which add no weight to the movie.

If Sajid Khan says that this particular movie is a tribute to 1980’s cinema then he should rephrase it as a tribute to the “Young Angry Man” of 1980’s Amitabh’s movies. The reason to quote this is that 5 action scenes from this movie reminded me of Amitabh’s movies.

A – Title Track reminded me of Shan’s “Pyar Karnewalay Pyar Kartay Hain Shaan Se”, filmed on Parveen Babi.
B – Cage fight of Ajay Devgan made me recall Amitabh’s cage fight from Naseeb.
C – The scene where Ajay Devgan holds the dagger from sharp end while saving his sister from “Dhanna”, reminds me of the scene from “Kaala Patthar” where Amitabh did the same with a character named “Dhanna” (played by Ashok Saxena).
D – The much talked about tiger fight again makes me recall Amitabh’s tiger fight from “Khoon Pasiina”.
E – The fight sequence just before the song “Bump Pe Laat” where Ajay converses in 5 different languages with goons gives me a vivid remembrance of a similar scene from Amitabh’s “Laawaris”

Anyways, the plot is similar and it tells a story of a malicious Sarpanch Sher Singh (Mahesh Manjrekar) who defames Ravi’s (Ajay Devgan) father to an extent where he commits suicide and his family suffers a lot of pain. Years after, Ravi returns to take revenge from Sarpanch.

I am a fan of 70’s and 80’s movies, this was the mere reason why I chose to watch the new Himmatwala but experience was nothing but sheer pain. First of all, Ajay looks totally misfit for the role; he failed to pass the wittiness which Jetendra portrayed in his style. His “Atta Maajhi Sattakli” style has now stuck to him – its time to come up with something original and much entertaining. Mahesh Manjhrekar is a very talented actor but he looks cheap and acts loud in this fare. Even he failed to meet Amjad Khan’s comical expressions and terrifying persona. Adhyayan Suman as Shakti does not even come close to Shakti Kapoor in a single scene. Tamanna Bhatia (a renowned and successful Tamil actress) has screen presence but when it comes to performing, she needs to focus on that.

The only character that stands out (to some extent) in the movie is Paresh Rawal (enacting the role of Kader Khan). He manages to copy the appearance and tone of Kader Khan and with his dialogues, his earnest attempt is visible in every scene. Asrani is the only actor who has appeared in both the Himmatwalas but in the newer version he is wasted. Ritesh Deshmukh appears in a cameo and he is as usual – typical. Zarina Wahab is efficient.

It’s saddening that this film has great performers and super stars but even then the film failed to create a magic at the box office.

If you really want to get heavy dose of entertainment watch the original one.

Rating 3.5 / 10

P.S: This Movie Review Has Also Been Published At Express Tribune Under My Name.

Monday, February 20, 2012

And TAMANNA BEGUM Dies after Spreading Smiles for Decades – What She Left for me are few Questions




There was a time when Pakistani Film Industry and not “Lollywood” was at its peak. People used to watch Pakistani movies all around the world. We had collaborations with Nepal, Bangladesh, Bangkok, China and India etc. Movies used to celebrate Silver, Golden and Platinum Jubilees. Cinemas used to be studded with audiences. In those days, there lived a performer, who was as innocent as a child in all her comic roles and who also had the potential to look cruel and unkind when she used to bag a vamp’s role. Tamanna Begum (late) had one of the strangest personalities that one can find in film industry; incorruptibility and mischievous sprite both at the same time were find in her. And she won her audience in both undoubtedly.

She started her career with Radio Pakistan then in mid-60’s she started theatre and later introduced to Pakistani Film Industry. The woman who performed and competed neck to neck and shoulder to shoulder, with one of the finest comedians of Pakistan ever produced LEHRI along with Rangeela and Munawwar Zareef. On the contrary when she was cast against Agha Talish, Adeeb and Alauddin who were and still are considered as volcano of high voltage dramatic scenes, she stood out with her bravura performance and impressed the audience. She acted with legends of Pakistani film stars like Muhammad Ali, Waheed Murad, Nadeem, Mustafa Qureshi and Shahid etc. and earned the title of legend herself.

She earned a lot of appreciation in comic roles, but I personally prefer her bitter roles as well – it used to take an instantaneous moment to abhor her, with those performances as she fits to the character just like a latex-glove in hand. I suppose this is the quality of a true performer. After the downfall of Pakistan’s film industry, or better put it as, after the transition of Pakistani Film Industry to “Lollywood” she adieu film industry and started to focus on TV dramas. From 1960 to 2012 the legend kept proving herself a true performer no matter what kind of roles she was bagged with. Her journey from Multan to Karachi and from 1960 – 2012 definitely had ups and downs – and only a strong headed and powerful woman like her could manage to travel on such path with consistency and élan.

As per the sources, prior to her demise, she was working for “Bubban House” (An Ever New Production). So, its not just Raj Kapoor or Moin Akhter who believed on the motto “The Show Must Go On” – Tamanna was in the same league of performers too. She was under treatment for 9+ months but government of Pakistan did not bother to take care of her, medically. Not even “Lollywood” cared to provide her any assistance and support. Is it not a shameful thing for a nation? Pakistan’s nation is not equal to few handfuls of individuals who have tenderness for others. To me Tamanna Begum left few questions, after spending a life full of success, pride and serving as a national artist (a national asset).

Questions include;

  1. What is the use for working for your nation? At the end of the day every one’s life is busy and don’t have time for others.
  2. What is the use of being patriotic? As patriotism does not provide treatment to an ailing patriotic. Money does.
  3. Why do we teach live for others and care for others? Show me huge list of examples and not Cheepa, Edhi and such few others.
  4. Do we have to wait for another Tamanna Begum to wake up?
  5. Lets stop waiting for natural losses or unavoidable disasters to unite as a nation. Try to become a good individual on daily basis and find those people who are suffering from illnesses – of any kind.
Few Facts;

  1. She spent 350,000/- PKR for treatment. Only for 9 days. She was admitted in Tabba Heart Hospital, Karachi.
  2. She was then taken to SIUT, where she had free of cost treatment. I wish we have more of SUCH organizations.
  3. How would a poor individual afford any treatment?
I wish Tamanna Begum’s soul rest in peace and may Almighty grant her mercy. Enough said!